Tuesday 22 September 2009

Animation : Barbie and the Three Musketeers (2009)


A girl can be anything she wants to be if she works hard, but in the days of the musketeers, certain professions were simply off-limits. Corinne (Barbie) is the daughter of a Musketeer and grew up wanting to become a musketeer and training hard to become an excellent swordsperson. When she sets off for Paris to join the musketeers, even her letter of introduction earns nothing but laughs from Captain Treville and the all-male musketeers. Forced to take a job as a castle housekeeper, Corinne soon discovers that her three fellow housekeepers have also dreamed and trained to become musketeers. Even more amazing is that the senior housekeeper had similar dreams as a child. This elder housekeeper provides further training for the three girls, encouraging them to strive to achieve what was an absolute impossibility for her generation. Just as the prince is about to become king, strange accidents begin to occur around the castle--accidents that the men musketeers seem unable to prevent. Could these unfortunate events provide an opportunity for Corinne and her friends to showcase their extraordinary swordsmanship? While the concept of Barbie as a sword-wielding musketeer may initially seem rather odd, the film is just as believable as other Barbie productions and it is refreshing to see Barbie in a somewhat less overtly-feminine role. Barbie's final quotation sums it all up nicely: "True courage is pursuing your dream, even when everyone else says it's impossible." (Ages 3 to 7) --Tami Horiuchi

It?s ?All for One and One for All? as Barbie? and her friends co-star in Barbie? and The Three Musketeers! Join Barbie? as Corinne?, a young country girl headed to Paris to pursue her big dream ? to become a female musketeer! Never could she imagine she would meet three other girls who secretly share the same dream! Using their special talents, the girls work together as a team to foil a plot and save the prince. Come along on an action-filled adventure that dares you to dream as never before.

Animation : Wallace and Gromit: A Matter of Loaf or Death (2008)


Studio: Lions Gate Home Ent. Release Date: 09/22/2009 Run time: 87 minutes Rating: Nr

Looking for a fast way to earn dough, Wallace decides to make it. Armed with a batch of ovens, an army of robotic kneading arms and an old-fashioned windmill, Wallace & Gromit? start "Top Bun,? their new bread-baking business. Sales rise quickly and Wallace falls head over buns in love with a seductive bread-industry icon, Piella Bakewell. But when bakers suddenly start disappearing, Gromit realizes that his master is in danger as he follows a twisting, turning trail of crumbs to solve a murder mystery that becomes? A Matter of Loaf and Death!

My daughters and I loved this movie. We were given a free screening on ATT U-Verse, which included the behind the scenes stop animation techniques. On the whole, a very enjoyable story, however, it was only 1/2 hour long. Perhaps other shorts will be included on the DVD as well.

Animation : Monsters vs. Aliens [Blu-ray] (2009)


When Susan Murphy (Reese Witherspoon) is unexpectedly clobbered by a meteor full of outer space gunk, she mysteriously grows to 49-feet-11-inches tall and is instantly labeled a ?Monster? named Ginormica. The military jumps into action, and she is captured by General W.R. Monger (Kiefer Sutherland) and held in a secret government compound filled with other ?monsters? like herself. This ragtag group consists of the brilliant but insect-headed Dr. Cockroach P.H.D. (Hugh Laurie); the macho half-ape-half-fish The Missing Link (Will Arnett); the gelatinous and indestructible B.O.B. (Seth Rogen); and the 350-foot grub called Insectosaurus. Their confinement time is cut short however, when a mysterious alien robot lands on Earth and the motley crew of Monsters is called into action to save the world from imminent destruction.

Monday 21 September 2009

African American Cinema : Love and Basketball (New Line Platinum Series) (2000)


Gina Prince-Bythewood, a former college athlete, puts a spin on this one-on-one tale of Love and Basketball. Sanaa Lathan (The Best Man) is the fiercely driven, hot-tempered Monica, a tomboy who gives her all for basketball. Omar Epps (The Mod Squad) is Quincy, an NBA player's son who has pro dreams of his own. Next-door neighbors since first grade, they start as rivals (she flabbergasts the boy by outplaying him in a game of driveway pickup) and age into best friends and lovers. The romantic complications follow a familiar game plan, but the film throws a fascinating spotlight onto the contrast between men's and women's basketball. While Quincy plays college ball on huge courts to cheering, sold-out crowds, we see Monica's sweat, tears, and sheer physical dedication in front of tiny audiences in small gyms and second-rate auditoriums.

The story is pointedly set in the late 1980s, years before the establishment of the WNBA, so Monica's prospects for pro ball lie exclusively in Europe, while Quincy steps into the pros at home. It's a pleasure to see a character as passionate and fully developed as Monica, and Lathan gives a fiery portrayal (she had never played ball before the film, but you'd never tell from her performance). Prince-Bythewood favors her struggle over Quincy's and opens our eyes to her unique challenges with a sharp, savvy contrast. Alfre Woodard costars as Monica's harping mom (always trying to get her to be more ladylike) and Dennis Haysbert is Quincy's philandering father. Hoops fan Spike Lee produced. --Sean Axmaker

African American Cinema : The Corner (HBO Miniseries) (2000)


The bleak reality of drug addiction is captured with unflinching authenticity in The Corner, an excellent, reality-based HBO miniseries. Having lived on the streets of West Baltimore, Maryland, where this compelling drama takes place, actor-director Charles S. Dutton knows the territory, physically, socially, and emotionally, and his compassionate approach is vital to the series' success. Dutton cares for his characters deeply enough to give them a realistic shred of hope, even when hope is consistently dashed by the ravages of addiction. This is, at its root, a family tragedy, focusing on errant father Gary (T.K. Carter, in a heartbreaking performance) a once-successful investor trapped in a tailspin of heroin dependency. His estranged wife Fran (Khandi Alexander) was the first to get hooked, and she's struggling to get clean, while their 15-year-old son DeAndre (Sean Nelson, from the indie hit Fresh) deals drugs, temporarily avoiding their deadly allure while facing the challenge of premature fatherhood.

Through revealing flashbacks and numerous local characters, we see the explicit fallout of addiction, and while violence occasionally erupts, its constant threat is secondary to Dutton's dramatic vision, which remains steadfastly alert to the humanity and neglected potential of these lost and searching souls. The Corner is, essentially, the civilian flipside of HBO's equally laudable series The Wire, which approaches a similar neighborhood from a police-squad perspective. Performances are uniformly superb, details are uncannily perfect, and for all of its human horror, The Corner is riveting, not depressing. A closing interview with the characters' real-life counterparts bears witness to the fact that these lives--with inevitable exceptions--need not be lost forever. --Jeff Shannon

African American Cinema : Glory (1989)


One of the finest films ever made about the American Civil War, Glory also has the honor of being the first major Hollywood film to acknowledge the vital contribution of African American soldiers to the country's historic struggle. Based on the books Lay This Laurel, by Lincoln Kirstein, and One Gallant Rush, by Peter Burchard, and the wartime letters of Robert Gould Shaw, the film tells the story of the 54th Regiment of the Massachusetts Volunteer Infantry, an all-black unit comprising Northern freemen and escaped slaves. Under the command of Shaw (played by Matthew Broderick), the 54th served admirably in battle until they made their ultimate demonstration of bravery during the almost suicidal assault on the Confederate Fort Wagner in Charleston, South Carolina, on July 18, 1863. Glory achieves its powerful impact by meticulously setting up the terrible conditions under which these neglected soldiers fought, and by illuminating the tenacity of the human spirit from the oppression of slavery to the hard-won recognition of battlefield heroism. Although Denzel Washington deservedly won an Oscar for his supporting role as a runaway-slave-turned-soldier, Glory faced some tough competition at the 1989 Academy Awards (against popular hits like Driving Miss Daisy and Dead Poets Society) and was shut out of nearly all the major categories. Since then, it's been duly recognized by historians and critics as a classic film of its genre. --Jeff Shannon

Sunday 20 September 2009

Action and Adventure : Heroes - Season Three


Experience all the explosive action and shocking twists as Heroes: Season 3 comes to DVD! Rediscover the phenomenon in this six-disc set that includes all 25 suspenseful episodes from the third season?s volumes, Villains and Fugitives. Plus, go behind the scenes with the show?s writers, stars and artists as you explore hours of exclusive and revealing bonus features.

There is no way around it: the first half of Season Three of HEROES was as bad as Season Two had been. And there was little hope that it was going to get better. But then it did. Much of the improvement might have been the result of one of the greatest tragedies of the 2008-2009 season, ABC's cancellation of one of the best shows in the history of television, PUSHING DAISIES. But one show's tragedy is another's great fortune. Bryan Fuller, who had been a consulting producer for HEROES in its first and promising season (he was given writing credits on what is to this day by far the greatest HEROES episode ever, the brilliant Season One episode "Company Man," was suddenly freed from PUSHING DAISIES, and was made the new show runner for HEROES after several producers and writers were released from the show. The improvement in the show was not instantaneous, but it was close. By the end of the season the show was as interesting as it had been in flashes in Season One.

Action and Adventure: Transformers: Revenge of the Fallen (Two-Disc Special Edition) [Blu-ray] (2009)


Pure. Popcorn. Entertainment. That's an exact classification of director Michael Bay's Transformers: Revenge of the Fallen. Think of Transformers 1 on crack. In other words, this sequel took all of the extreme elements that made fans love the first movie and increased them exponentially. The action is nonstop, with battles and explosions from start to finish. The camera (without any subtlety) exploits Megan Fox's hotness to the max. As if she weren't enough, a new sex kitten (Isabel Lucas) is thrown into the equation. Shia LaBeouf is as charismatic as ever, and fills the starring role with ease. And then there's the humor. Sam's parents (Kevin Dunn and Julie White)provided some semi-raunchy laugh-out-loud moments in the first movie, but now they take it to the next level. Sometimes it seems like they are trying a little too hard, but it is still hilarious.

As far as the ?plot? goes, the writers didn't waste much time--it's really just a context for the giant-robot death matches and dramatic slow-mo sequences. The movie kicks off two years later where the Autobots have formed an alliance with the U.S. government, creating an elite team led by Major Lennox (Josh Duhamel), in an effort to snuff out any remaining Decepticons that show up. The bad guys keep coming, and it turns out that a much more menacing force than Megatron is out there--and it is looking for something on Earth that is tied to the very origin of the Transformers race. Fans of the franchise will be delighted by the addition of many new robot characters (there are well over 40 in the sequel, versus only 13 in the first). The second Transformers has shaped up to be one of the worst reviewed and most successful movies of all time. This strange pairing is really just an indication that this movie has one purpose: to entertain. The creators didn't want to waste time bogging down the action and drama with substance--which was arguably a good decision. --Jordan Thompson

Action and Adventure : Barbie and the Three Musketeers (2009)


A girl can be anything she wants to be if she works hard, but in the days of the musketeers, certain professions were simply off-limits. Corinne (Barbie) is the daughter of a Musketeer and grew up wanting to become a musketeer and training hard to become an excellent swordsperson. When she sets off for Paris to join the musketeers, even her letter of introduction earns nothing but laughs from Captain Treville and the all-male musketeers. Forced to take a job as a castle housekeeper, Corinne soon discovers that her three fellow housekeepers have also dreamed and trained to become musketeers. Even more amazing is that the senior housekeeper had similar dreams as a child. This elder housekeeper provides further training for the three girls, encouraging them to strive to achieve what was an absolute impossibility for her generation. Just as the prince is about to become king, strange accidents begin to occur around the castle--accidents that the men musketeers seem unable to prevent. Could these unfortunate events provide an opportunity for Corinne and her friends to showcase their extraordinary swordsmanship? While the concept of Barbie as a sword-wielding musketeer may initially seem rather odd, the film is just as believable as other Barbie productions and it is refreshing to see Barbie in a somewhat less overtly-feminine role. Barbie's final quotation sums it all up nicely: "True courage is pursuing your dream, even when everyone else says it's impossible." (Ages 3 to 7) --Tami Horiuchi

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