African American Cinema : Love and Basketball (New Line Platinum Series) (2000)

Love and Basketball (New Line Platinum Series)

Gina Prince-Bythewood, a former college athlete, puts a spin on this one-on-one tale of Love and Basketball. Sanaa Lathan (The Best Man) is the fiercely driven, hot-tempered Monica, a tomboy who gives her all for basketball. Omar Epps (The Mod Squad) is Quincy, an NBA player's son who has pro dreams of his own. Next-door neighbors since first grade, they start as rivals (she flabbergasts the boy by outplaying him in a game of driveway pickup) and age into best friends and lovers. The romantic complications follow a familiar game plan, but the film throws a fascinating spotlight onto the contrast between men's and women's basketball. While Quincy plays college ball on huge courts to cheering, sold-out crowds, we see Monica's sweat, tears, and sheer physical dedication in front of tiny audiences in small gyms and second-rate auditoriums.

The story is pointedly set in the late 1980s, years before the establishment of the WNBA, so Monica's prospects for pro ball lie exclusively in Europe, while Quincy steps into the pros at home. It's a pleasure to see a character as passionate and fully developed as Monica, and Lathan gives a fiery portrayal (she had never played ball before the film, but you'd never tell from her performance). Prince-Bythewood favors her struggle over Quincy's and opens our eyes to her unique challenges with a sharp, savvy contrast. Alfre Woodard costars as Monica's harping mom (always trying to get her to be more ladylike) and Dennis Haysbert is Quincy's philandering father. Hoops fan Spike Lee produced. --Sean Axmaker

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African American Cinema : The Corner (HBO Miniseries) (2000)

The Corner (HBO Miniseries)

The bleak reality of drug addiction is captured with unflinching authenticity in The Corner, an excellent, reality-based HBO miniseries. Having lived on the streets of West Baltimore, Maryland, where this compelling drama takes place, actor-director Charles S. Dutton knows the territory, physically, socially, and emotionally, and his compassionate approach is vital to the series' success. Dutton cares for his characters deeply enough to give them a realistic shred of hope, even when hope is consistently dashed by the ravages of addiction. This is, at its root, a family tragedy, focusing on errant father Gary (T.K. Carter, in a heartbreaking performance) a once-successful investor trapped in a tailspin of heroin dependency. His estranged wife Fran (Khandi Alexander) was the first to get hooked, and she's struggling to get clean, while their 15-year-old son DeAndre (Sean Nelson, from the indie hit Fresh) deals drugs, temporarily avoiding their deadly allure while facing the challenge of premature fatherhood.

Through revealing flashbacks and numerous local characters, we see the explicit fallout of addiction, and while violence occasionally erupts, its constant threat is secondary to Dutton's dramatic vision, which remains steadfastly alert to the humanity and neglected potential of these lost and searching souls. The Corner is, essentially, the civilian flipside of HBO's equally laudable series The Wire, which approaches a similar neighborhood from a police-squad perspective. Performances are uniformly superb, details are uncannily perfect, and for all of its human horror, The Corner is riveting, not depressing. A closing interview with the characters' real-life counterparts bears witness to the fact that these lives--with inevitable exceptions--need not be lost forever. --Jeff Shannon

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African American Cinema : Glory (1989)

DVD : Glory (1989)

One of the finest films ever made about the American Civil War, Glory also has the honor of being the first major Hollywood film to acknowledge the vital contribution of African American soldiers to the country's historic struggle. Based on the books Lay This Laurel, by Lincoln Kirstein, and One Gallant Rush, by Peter Burchard, and the wartime letters of Robert Gould Shaw, the film tells the story of the 54th Regiment of the Massachusetts Volunteer Infantry, an all-black unit comprising Northern freemen and escaped slaves. Under the command of Shaw (played by Matthew Broderick), the 54th served admirably in battle until they made their ultimate demonstration of bravery during the almost suicidal assault on the Confederate Fort Wagner in Charleston, South Carolina, on July 18, 1863. Glory achieves its powerful impact by meticulously setting up the terrible conditions under which these neglected soldiers fought, and by illuminating the tenacity of the human spirit from the oppression of slavery to the hard-won recognition of battlefield heroism. Although Denzel Washington deservedly won an Oscar for his supporting role as a runaway-slave-turned-soldier, Glory faced some tough competition at the 1989 Academy Awards (against popular hits like Driving Miss Daisy and Dead Poets Society) and was shut out of nearly all the major categories. Since then, it's been duly recognized by historians and critics as a classic film of its genre. --Jeff Shannon

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